PUBLICATIONS
Sociological film: Blending Filmic and Sociological Imaginations
Sociological film: Modes of Engagement with Publics
From Terrorist to Victim: Western Hegemony, Islamophobia, and the 2022 Uprising in Iran
Politics of Othering and Censorship in Iranian Cinema
Sociological Film: A Medium to Promote Sociological Imagination
Visualizing refugees: Multimodal Construction of Ukrainian, Afghan, and Syrian Refugees in Neoliberal Multiculturalism of Australia and Canada
Censorship into Art: Why Iranian Director Jafar Panahi’s Subversive Stories are Getting the world’s Attention
Increasing Students’ Engagement with Feedback
Fostering Agentic Engagement and Autonomy Support in Tutorials
Review of the book Iran Reframed: Anxieties of Power in the Islamic Republic, by N. Bajoghli (Forthcoming)
Review of the Dissertation Islamic Technoscience: Machines, Politics, and Gender in Iran’s Cultural Revolution (1980–1983), by A. Heshmati
Review of the book The people are not an Image: Vernacular Video after the Arab Spring, by P. Snowdon
Review of the book Underground: The Secret Life of Videocassettes in Iran, by B. Atwood
